Giles Kristian: God of Vengeance trailer film shoot (Behind the scenes)

God of Vengeance: Trailer shoot, Day 2

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Sunday morning 6am alarm clock wake up, not so bad…except when you got to sleep at 1am.

So with much yawning and sneaking around the house to avoid waking the wife and Granddaughter, I finally got my bad ready, weapons stacked, food and drink ready and filled the boot. Leaving the house to a now awake family…The Granddaughter doesn’t like to sleep much past dawn. (double yawn).

A quick easy ride to Lincoln, I approached the point where I’m thankful for a SatNav, coming up the ring road towards Lincoln, The Cathedral and Castle rose out of the morning mist in the early morning sun. I was so lost in the power of the scene and how, apart from the houses cluttering the foreground, that iconic misty scene had been seen by people for hundreds of years, that i missed the turning and then had a quick play in Lincoln’s one way system.

Finally back on track i followed the directions to their conclusion, pulled up at a farm house, and decided the damn thing had got me lost again.

So a quick potter back up the road, and a call the Phil Stevens director extraordinaire from Urban Apache Films .

Change of meeting point, to the offices of Urban Apache in the center on Lincoln, and I’m a little pleased, who doesn’t want to see where some of the magic happens?

Another quick fight with the satnav, trying to make me drive through central reservations and up one way streets, and I’m there. Phil arrives soon after…looking….well, lets say worn around the edges. Most of the cast and crew only got to sleep after 3am, so coffee, McDonalds and what ever they can get to wake up is on the cards. All of this makes me shut up about my lack of sleep very fast.

The next hour is filled with some very tired people being made up by the happiest, nicest people of the day, makeup and wardrobe, the ladies organising and creating with quiet competence and humour despite their lack of sleep.

My first chance of the day to be useful came in the form of finding a hand dryer in the gents, The outfit for Floki (William Clayton) was still wet and muddy from the previous day, so to save Floki from a very damp arse and and uncomfortable morning on set, I spend the next 20 plus minutes blasting as much hot air as possible through the material (thank god for asbestos hands). (wonder if Phil will get told off for the state of the muddy toilet)?

Running about an hour behind the call sheet, which was pretty good going considering the walking dead that had arrived at 7.30am. A short 40 min drive, once again at the whim of the SatNav gods, who actually found the set, a quarry in the middle on who the hell knows where in Lincolnshire, I admit… I was impressed.

There must be something about Film shoots with Giles Kristian, this is the second one i have been lucky enough to go on, the last one Bleeding Land Shoot was also a beautiful sunny day. Even at 9am the sun was warm enough to ditch jumpers.

The first action of the day was a walk up to the film site, following a long winding path through the quarry and a decision for everyone, Do you want to drive your car around that winding path up to the site of the shoot?

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Immediately I heard the wife’s voice in the back of my head…NO… so that saved me worrying about that.

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Time to suit up…Not me, one day if there is a HUGE crown scene they might be daft enough to let me the wrong side of the lens, but for now I’m happy enough snapping away behind me little camera and pretending I know what I’m doing.

Time for the weapons to come out, cue Giles pulling out his huge chopper…. ok so I had to get that line in there…. His axe will feature in the filming.

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Having enjoyed this process before I was more prepared for the walk through, scene setting, practice and generally trying to get everything right before the camera rolls.

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One thing from the day that I wasn’t expecting was a second camera crew, a group of young lads doing a “making of” film for the God of Vengeance shoot. …. I think that meant i was doing the making of the making of GoV,,,well at least according to Giles.

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Another reason for not being in the shoot (aside from not being an actor, too old etc..)…. Look at the flipping size of these guys! (of course im way more toned that that…. Honest)

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The main thrust of Day 2’s filming, is the scene from the book where Floki is chained at the weeping stone, and must fight all comers.

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This is where the skill of the make up and wardrobe ladies really started to show, the amazing attention to detail that’s so easy to miss, the way the drape and texture of something is delivered to the camera if left at just the right angle. I even got roped into helping build a Viking bivouac/ lean to.

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That thing would still be there now we built it that well. (spot who was overly pleased to have contributed something that will be on film.)

Finally after several hours of prep work and camera set up its time to actually film something, and to some this may seem a bit tedious, but for me the time flew past. I’d have happily started building a cabin if we had needed too.

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Giles is everywhere now, making sure people are happy, included, that the scene matches his writing.

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This scene in God of Vengeance is one of the most iconic, a real blood and guts introduction to a key character, in the book its stunningly written so Phil has his  work well and truly cut out trying to reproduce this on camera.

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Each scene is walked through before the shot is actually taken, the below are shots of initial attack on Floki, where everyone learns…. well… read the book , watch the trailer, you’ll see.

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What you don’t often see in the final product are the down time moments, the mix of the modern and the ancient

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The demand for consistency in a film that’s minutes long but takes a day to shoot. The chasing of the light away from the quarry walls, the reflecting of light with a large piece of polystyrene. All filmed with the skill and technique that means none of that movement will ever been seen by others.

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The skill of many on set in stunning, with Phil and Lewis clearly standing out of the pack. Phil, while the director, is also one of the actors, and also clearly along with Giles the driving passion on the day, he not only understand the shots the angles, the drive and desires of the characters, but he also has a clear confidence in the filming and more importantly the weapons and their use in front of camera. Its no easy thing to swing a sword or axe at some one, or have it swing at you. The trust must be total.

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More shots of that pesky fella with the small musculature (cough ….what a wimp)…just for the ladies.

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The Star of the day though had to be Floki, not only facing off against all the big fellas, having to kill the boss, but also being the main focus nearly all day, and that chain, i didn’t know until the end of the day just how heavy that thing was. Not once did he complain about it.

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The close up fighting was where the skill and ingenuity of Lewis came to the fore, every problem that cropped up he could over come with a little idea, always delivered in such a way that it was a group decision to use it. How to fall, how to look like he had received an axe to the guts for the camera. Blood made from (if I remember) corn syrup, and mashed banana for that gory consistency.

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The light is really starting to chase us across the quarry now, its gone 4pm, we have been here since about 9am.

One of the really amazing parts of the day was being allowed behind camera to watch the playback, to see what it would look like when finally shown. I did this once and having just watched it being shot, the buzz of seeing it on screen still gives me a little thrill.

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More gratuitous shots of topless Viking holding Giles chopper… (yup there’s that pun again…) Sorry, there are quite a few ladies who read this blog…. target audience.

This is also the scene i got to watch back on camera.

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Sun is now gone from the early shoot site…our camera man and Phil have a “discussion” about this and the need to more again..Phil wins as usual.

Its late in the day, but we are only a couple of scenes from the end of the day now, Floki is now liberally covered in blood. Its time to gets some still of the little bad ass.

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Now for one of my favorite parts of the day, the death of the big Viking (yes ladies more photos) , the problem is how to get arterial spray, how to project it, and how to time it just right.

It might sound simple, but the more you watch the complexities, the more difficult it gets. The timing being the hardest. Floki pulling the Ax, Phil hidden behind spraying the blood at just the right time.

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Final Scene of the day….Catwalk Viking….Check out the camera poses!

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When Floki finally gets his hands on him, well… its how to choke a Viking.

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…… So sorry if this was all a bit of a tour through my holiday snaps, but the only way to do justice to this amazing day is with pictures.

The amazing people i met, and learned new things from (Thank you)

Phil Stevens… you sir are an inspiration, and i honestly enjoy every minute you allow me to experience on set so thank you.

and Giles… one of the most disgustingly talented individuals i know, but he tempers it with being one of the nicest people i know. Thank you for being kind enough to let me come along again.

The reason for all of this… The upcoming God of Vengeance published on the 10th April 2014

Norway 785 AD. It began with the betrayal of a lord by a king . . .

But when King Gorm puts Jarl Harald’s family to the sword, he makes one terrible mistake – he fails to kill Harald’s youngest son, Sigurd.

On the run, unsure who to trust and hunted by powerful men, Sigurd wonders if the gods have forsaken him: his kin are slain or prisoners, his village attacked, its people taken as slaves. Honour is lost.

And yet he has a small band of loyal men at his side and with them he plans his revenge. All know that Ódin – whose name means frenzy – is drawn to chaos and bloodshed, just as a raven is to slaughter. In the hope of catching the All-Father’s eye, the young Viking endures a ritual ordeal and is shown a vision. Wolf, bear, serpent and eagle come to him. Sigurd will need their help if he is to make a king pay in blood for his treachery.

Using cunning and war-craft, he gathers together a band of warriors – including Olaf, his father’s right hand man, Bram who men call Bear, Black Floki who wields death with a blade, and the shield maiden Valgerd, who fears no man – and convinces them to follow him.

For, whether Ódin is with him or not, Sigurd will have his vengeance. And neither men nor gods had best stand in his way . . .

Buy a Signed copy from Goldsboro Books

Is it any good?

Well my review will be up a bit closer to release… but lets just say : This is the book where the bloody legend of Sigurd is born, given voice not just in swathes of blood and violence, but also in the living breathing Norse world that comes to life on every page, as Giles weaves his tale like a master skald from the past. (so yes that means its going to be one of my top 5 reads for 2014 without fail)

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8 Comments

Filed under Giles Kristian, Historical Fiction

8 responses to “Giles Kristian: God of Vengeance trailer film shoot (Behind the scenes)

  1. Reblogged this on mindofmrgseff and commented:
    I helped out as a member of the making of team for this piece, it’s fantastic and can’t wait to see the finished of both Phil’s trailer and our making of.

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