Clothes Make the Character (Or why everyone in the Traitor Son series has to have a wardrobe)

Another great blog from Christian Cameron: if you dont follow his blog, then read this and then go follow him!

With Pen and Sword

My daughter, in her silk and fur, between Giulia Grigoli of Verona. Italy and xxxxxx who made Giulia's dress and her own. My daughter, in her silk and fur, between Giulia Grigoli of Verona. Italy and Monica Rossi aka Sartoria Mondro who made Giulia’s dress and her own.  Beatrice’s dress by me. 

 

Yes, it’s true—I have closets full of historical clothes. In fact, not only do I have closets full, but so do my wife and daughter—clothes for at least three time periods (besides our own, of course) and sometimes four. Or five.
Nor are these clothes, strictly speaking, costumes. To me, a costume is something that looks real but is not—the most extreme, and perhaps wonderful, example I ever saw was a staging of Shakespeare’s ‘Midsummer Night’s Dream’ where all the elaborate Elizabethan fashions were dome in garbage bags, duct tape and glue. They looked fantastic, I promise you—and they wouldn’t have allowed you to light a camp fire or walk in the woods or ride a horse or, really…

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