Britain is a land riven by anarchy, slaughter, famine, filth and darkness. Its armies are destroyed, its heroes dead, or missing. Arthur and Lancelot fell in the last great battle and Merlin has not been seen these past ten years. Now, the Saxons are gathering again, their warbands stalk the land, their king seeks dominion. As for the lords and kings of Britain, they look only to their own survival and will not unite as they once did under Arthur and his legendary sword Excalibur.
But in an isolated monastery in the marshes of Avalon, a novice of the order is preparing to take his vows when the life he has known is suddenly turned upside down in a welter of blood. Two strangers – the wild-spirited, Saxon-killing Iselle and the ageing warrior Gawain – will pluck the young man from the wreckage of his simple existence. Together, they will seek the last druid and the cauldron of a god. And the young man must come to terms with his legacy and fate as the son of the most celebrated yet most infamous of Arthur’s warriors: Lancelot.
For this is the story of Galahad, Lancelot’s son – the reluctant warrior who dared to keep the dream of Camelot alive . . .
For many who read my ramblings about books it will come as no surprise i loved this book, its predecessor Lancelot was my book of the Year last year, and it was hugely justified, a book that spoke so much from the heart and wove a new version of a fantastic legend ( Review of Lancelot )
Camelot once again sees the storytelling brilliance of Giles Kristian reach for and attain new heights.
Many of his readers will be used to the cut and thrust of the viking tales fueled with daring deeds and bloody battles (told with his elegance of phrase and character insight), but Camelot is several steps above this, it continues a journey begun in Lancelot where the authors writing ascended to a new level, where emotions are laid bare, where middle genre historical fiction (as some may term “Swords and sandals”) becomes a leap into something much more, something that speaks to the heart, mind and soul of the reader, where every phrase and passage is weighed for its ability to tell its own tale, to wring out the emotions and make the reader ask questions of the story and characters and themselves. The writing makes you experience every nuance of the world, the actions of the characters and the emotions they generate.
This book for me was Giles Kristian taking his writing to new and heady heights, and taking the reader along for the ride, every single page and description and narrative was packed with meaning and emotion, and had clearly been examined and weighted before it made it into the book. Giles continues to take his skill as a musician and apply it to his novels, that skill that a lyricist has to distill a story down to as few words as they can yet convey so much more than is written, to make you feel every passage and word, to leave the telling half on the page and half in the mind, to let the ears and the mind take hold of the story and add personal layers to it…. just the same way we do with a song, and thus leaving the story very personal and individual to the reader.
Giles Kristian makes us do all of this and more with this story of and it is now his story….. i don’t say it lightly , but this duology for me is now the go to Arthurian tale, surpassing Bernard Cornwells tale, which for many years was the Arthurian benchmark.
Every year i look out for the book that will define my years reading…. and its going to take something very exceptional to stop Camelot being that book and for the second year running, Giles Kristian being the top author.
This gets the highest recommendation i can give, it has across the board reading appeal, so don’t get ties by genre loyalty, no matter what you enjoy this book will give you you want and need…. it truly is a classic being born.